Massimo Bartolini’s work embraces various materials and techniques, from sculpture and performance to photography. His works have included an elevated floor that created the impression of distorted space; an installation in which a device on the heel of a visitor’s shoes altered the light in the exhibition space; and rooms suffused with perfume and the sound of leaking water. These, often sensual, artworks induce in the viewer a meditative state that is still highly experiential, making us reflect on the relativity of what is stable and unchangeable.