Biography
Lucas Samaras (b. 1936, Kastoria, Macedonia, Greece) has produced an expansive body of work across media and discipline—including photography, painting, installation, assemblage, drawing, and sculpture—united by a focus on the body and psyche. Emphasizing autobiography, he has often made himself the subject of his own work, using his image to push the boundaries of physical and psychological transformation. He has been the subject of more than one hundred solo exhibitions and seven major career retrospectives, including Unrepentant Ego: The Self-Portraits of Lucas Samaras at the Whitney Museum of American Art, New York, in 2004, which featured a staggering 400 works. In 2009, Samaras represented Greece at the Venice Biennale with an exhibition that spanned four decades of the artist’s practice. His work has been featured in numerous group exhibitions, including the Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York (1964, 1968, 1970); Documenta (1968, 1972, 1977, 2017); and the Venice Biennale (1980).
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Lucas Samaras (b. 1936, Kastoria, Macedonia, Greece) has produced an expansive body of work across media and discipline—including photography, painting, installation, assemblage, drawing, and sculpture—united by a focus on the body and psyche. Emphasizing autobiography, he has often made himself the subject of his own work, using his image to push the boundaries of physical and psychological transformation. He has been the subject of more than one hundred solo exhibitions and seven major career retrospectives, including Unrepentant Ego: The Self-Portraits of Lucas Samaras at the Whitney Museum of American Art, New York, in 2004, which featured a staggering 400 works. In 2009, Samaras represented Greece at the Venice Biennale with an exhibition that spanned four decades of the artist’s practice. His work has been featured in numerous group exhibitions, including the Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York (1964, 1968, 1970); Documenta (1968, 1972, 1977, 2017); and the Venice Biennale (1980).
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