Jill Mulleady’s paintings present unsettling scenes that oscillate between beautiful and horrifying, quiet and violent. Her compositions are rich with allegorical symbols and art historical references that conflate eras. Even when depicting a particular location, they feel liminal and otherworldly. She populates these ghostly worlds with recognizable figures: poets, writers, and artists, rendered with their bodies contorted and their flesh a sickly hue. Mulleady often intervenes in the spaces in which her paintings are installed, staging them alongside readymades and architectural interventions. This strategy turns the gallery space into a kind of proscenium, heightening the theatricality of viewing. Her approach is inspired in part by the experimental theater director Antonin Artaud, who strived for a “communion between actor and audience in a magic exorcism.”