Throughout her work in sculpture and writing, Elaine Cameron-Weir (b. 1985, Canada) grapples with questions of individual and collective human survival, while also considering the potential for renewal and transformation in states of being and forms of knowledge. Her work is informed by belief systems that structure how people make sense and meaning of the world—from science and religion to the nation state. Often repurposing objects with previous scientific, medical, or military functions, Cameron-Weir creates exquisitely assembled forms that conjure speculative uses or ritual applications in times past and future.