Dominique Gonzalez-Foerster is a French artist, born in 1965 in Strasbourg. Gonzalez-Foerster's practice is restlessly cross-disciplinary, taking cues from film, literature, architecture, philosophy and critical theory. Through immersive installations that include film or are suggestive of filmic tropes, Gonzalez-Foerster uses the medium of experience as a way to question the essences of objects and the meaning of context. Trafficking in a unique type of psychological collage within works and between them, her varied oeuvre has taken myriad forms, including collected fragments of modernist buildings in Brazil, an autobiographical hanging of 40 years of her own wardrobe, and an immersive light and sound environment meant to evoke the chaos, dread, and wonderment of future lives. In her latest works, the Apparitions, Gonzalez-Foerster uses live performance and holographic projections that conflate characters from history, literature and film with their sociological sources and ramifications. Often relying on elliptical texts that place equal weight on fiction, fact, and the pluralism of memory, Gonzalez-Foerster creates heterogeneous worlds that thrive on the tension between finite and infinite, the empirical and the dramaturgical. Gonzalez-Foerster is the recipient of the 2002 Marcel Duchamp Award.