Borlabi’s early works applied his foundational learning in academic painting, creating naturalistic compositions, and for years he grappled with finding a visual language that felt authentic. After 7 years of painting, Borlabi turned to his natural environment to embody his own culture and ethnic identity. Growing up in the CoCo Beach area of Accra, the coconut tree and fruit is a part of the artist’s daily visual experience, and after spending a day sketching at the beach recently, the thought of using the coconut in his work emerged. From a distance, the mixed media works of oil paint and coconut husk on canvas, appear as richly toned brown skin. The intrinsic properties of the coconut husk’s multiple layers, longhairs, and varying shades of brown whimsically renders skin texture and bone structure, while emulating the way natural light surfaces on skin. With one medium, the artist was able to capture the physical color complexities of black people’s skin, and visually narrate the physical organic connections of humanity, and plant life. Metaphorically, the coconut husks contemplate the tension between what is disregarded, discarded, and deemed ugly, and what is natural, strong, complex, multidimensional, and beautiful. Echoing prideful statements, such a Black is Beautiful, Borlabi captures the joy of the human experience lived in Black people globally, Ghana, and the continent at large.