Keith Mayerson (b. 1966, Cincinnati, Ohio) is inspired by symbols of American history and pop culture, and depicts familiar figures who have impacted the country’s consciousness, in addition to personal scenes and his abstract “iconscapes.” His work allegorizes themes of resilience, determination, and the “American dream.” Iconic images, heroes, places, and events are rendered luminous and transcendent through Mayerson’s micro-managed brushwork and coloring. His subjects are often selected for their backstories and cultural impact; in Mayerson’s paintings, they embody contemporary national feelings and sentiments. While his formal features hint at a French Impressionist influence, his images could be seen to recall the work of Symbolists in their spiritual components, cultural commentary, and review, in addition to being inspired by the more visionary aspects of American Modernists and the Old Masters. Mayerson’s paintings are informed by his immersion into his subjects. Like a method actor, he listens to albums, biographies, or other audio materials on the figures in question while painting them. The entrenched conceptual investment and consideration behind his practice imparts an earnest, emotive resonance. His exhibitions are often installations of images that create larger narratives. Each work is imbued with allegorical content that relates to the world, yet allows through its formal nuances for the transcendent and sublime. The works stand on their own for form and content, but like a prose poem of images on walls, experienced in context the images as a series, the viewer creates the ultimate meaning for the installations. Since the George W. Bush era, his long running non-linear narrative “My American Dream” has been presented in separate exhibitions as “chapters” and the ongoing series continues through today. Keith Mayerson studied Semiotics and Studio Art at Brown University and received an MFA from the University of California, Irvine and is now Professor of Art and Chair of Painting, Drawing, and Printmaking at the Roski School of Art and Design at the University of Southern California. Mayerson’s work was included in the 2014 Whitney Biennial and the Whitney Museum’s inaugural downtown show, America is Hard to See (2015). His recent solo exhibitions include Karma, New York (2022, 2021); Elaine de Kooning House Foundation, East Hampton, New York (2019); Marlborough Gallery, New York (2019); the Bridge, Bridgehampton, New York (2019); and Museum of Contemporary Art, Cleveland (2017). His work can be found in the permanent collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; American University Museum of Art, Washington, DC; Columbus Museum of Art; Cleveland Museum of Art; Davis Museum at Wellesley College, Wellesley, Massachusetts; Institute of Contemporary Art, Miami, RISD Museum, Providence, Rhode Island, and the UC Berkeley Art Museum and Pacific Film Archive, among others.