Lee Ufan emerged in the late 1960s as one of the founders and major proponents of the avant-garde Mono-ha—or School of Things—group, among Japan’s first internationally renowned contemporary art movements. His practice is characterized by thoughtful and direct iterations of gestures and thematic contemplations of encounter that manifest in installation, sculpture, ceramics, paintings, and works on paper. In 2010, the Lee Ufan Museum, dedicated to the artist’s oeuvre, opened on the Japanese island of Naoshima. Lee has been the subject of over 140 one-artist exhibitions around the world, including Resonance at the 52nd Venice Biennale (2007) and Marking Infinity, his major retrospective at the Solomon R. Guggenheim Museum, New York (2011). In 2014, the Palace of Versailles presented ten of Lee’s monumental sculptural works throughout its historic grounds. Other recent solo exhibitions of his work have been held at the State Hermitage Museum, St. Petersburg (2016); Galerie de Sèvres, Citè de la céramique, Paris (2016); Gwangju Museum of Art, South Korea (2017); and Serpentine Sackler Gallery, London (2018).